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Ebne Hakim Mints Timeless Soul and Ethiopian Influences on the ‘Brana’ EP

Ebne Hakim Mints Timeless Soul and Ethiopian Influences on the ‘Brana’ EP

Twenty seconds into “Brana (Intro),” the opening song in Ethiopian singer-songwriter Ebne Hakims new EP, natural bliss is the dominant mood. Birds chirp atop the melancholic notes, which move with cinematic slowness. What follows are words in Amharic, one of the oldest recorded languages in the world and a spiritual source for Hakim, whose music draws readily from the deep wells of his indigenous tradition.

Released this past Friday, the Brana EP is an impressive achievement of sound. It shows clearly why Sony Music Entertainment would seek the musician on their roster, just a month after the release of “Gela,” his debut single, which came out in March. A musical talent was perceived, showing startling assurance of voice in tone and technique. Its glossy R&B sound was tinged with zesty electronic touches and seamlessly rode by Hakim, whose passionate delivery calls to mind the motions of a troubled relationship.

Cohesion is the prime quality of Brana, its six songs packing enough individuality to excite in their own way, but together they’re a fine composition rewarding multiple listens. For the most part, Hakim croons, his svelte tone unpacking themes which center around self-discovery. Utilizing a prosaic style, which works with characterization and worldbuilding, Ethiopia moves into the world of the project. The country not only supplying narrative but also sound, as there are subtle touches of its distinct funk here.

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